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Rock/Pop Times Print-ready version

by James Riordan
Tinley Park Southtown Star
February 6, 1977
Original article: PDF

I like this album. Joni Mitchell has a knack for laying down these haunting melody lines that just fly me away. Listening to "Hejira" over and over will mellow you out very nicely. It's one of those lay back and relax kind of albums that's really fine once in a while. You probably won't fall all over this album the first time you hear it because it's got some strange melodies and equally weird arrangements. Around the third time you hear it, however, all this strangeness falls right into place and really sets a mood.

"Hejira" is similar to the direction Joni took in "Court and Spark," but it's less pop and more rambling like her last album, "The Hissing of Summer Lawns." If you were a Joni Mitchell fan in her folk days, don't buy "Hejira"; expecting to hear songs like "Both Sides Now" because they aren't there. The influence of those days is still there, but you have to listen closely to hear it, and that's fine. If an artist, especially one who is a good songwriter, isn't allowed to progress in his style, quite often his talent dies of boredom. Joni keeps her music fresh both to herself and her public.

There are flaws in the album but they don't really detract from its overall success. Occasionally Joni stuffs in too many words, resulting in great lyrics but a choppy melody, but I'm sure she's aware of that. Another flaw is that some of the songs sound similar to one another — while that's not exactly kosher, it does enhance the album's whole mood better than a sudden change of pace.

The songs on the album are all good and some ("Coyote," "Song for Sharon," "Furry Sings the Blues," "Blue Motel Room") are excellent. Joni Mitchell is one of the best songwriters around, and there's few, if any, female writers who can approach her ability to deal with personal life in an objective way. In fact, what I like best about Joni's songs is that most of them seem to have really happened. Once most writers attain success and quench that initial thirst to communicate, they lose their ability to write the type of personal songs that propelled them to stardom in the first place.

Joni Mitchell has yet to lose her touch. Before attaining star status, she wrote about yearning for success; and now she writes about dealing with success: the romance is just as strong because the honesty is still there. She continually lays open her life for us to examine through her songs — this makes her one of the most interesting artists in contemporary music.

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Added to Library on May 11, 2025. (2204)

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